Well, the Crowdfunder campaign done and dusted, and the brand new Derek Jarman successfully completed, it was all about making sure the project reached an audience. What’s the point in putting so much effort into making a piece of work if it then comes to an end because no-one has had the chance to interact with it? Anyway, ‘The Gospel According to St Derek’ has certainly reached an audience – and very successfully so. It’s a case of so far, bloody brilliant! On Friday 31st January, it kicked-off a weekend symposium on Derek Jarman and Early Modern Drama at Kings College, on The Strand in London, 5pm. It was screened in the old Anatomy Theatre at Kings. There was a full-house, with some people having to stand on the balcony overlooking the screening (very Earl...
Here we go again. Does sex really sell? Well slammed in the face during the first scene we see the silhouettes of some people having. Now at first, I am thinking this is steamy Matthew McConaughey with some other people getting their freak on. Yum yum. I am sold I thought. Then we see that, in fact (yes although still McConaughey), it was Ron Woodroof! That is not the McConaughey I want to see in the very first scenes. Ron was not hot at all, and in fact, the total opposite. He looked like he was sick. Then again, I wonder if I hadn’t know him as hunky McConaughey in real life, maybe I wouldn't have been so critical. Ok. He could have just been a skinny fella. I have many thin men friends.
Wheee-hoooo! I did it! I reached my Crowdfunder campaign target to complete my new Derek Jarman documentary – The Gospel According to St Derek. Actually, I did it with 4 days to spare. But things have been such a whirlwind since then (what with all the excitement, and relief, of reaching my goal), and as I’m now working fast and furiously with the online editor and sound mixer to have the documentary ready in time for the forthcoming planned screenings, that things are just starting to sink it – along with a glowing sense of achievement and immense gratitude. I was 80% there with just 7 days to go and that meant I had to go back to my email contacts, mobile phone contacts and chase-up directly anyone I still hadn’t contacted, or anyone who had said they would make a pledge, but had yet to ...
Okay, well it’s now just 7 days (1 week!) to go on my Crowdfunder campaign to complete a new documentary project on the extraordinary British film-maker (artist, gardener, set designer, writer and all-round talented creative genius) Derek Jarman. The past 7 days (week 4 of 5) has seen things come on leaps and bounds. It was hugely inspiring to get a very handsome pledge from an actor who has worked with the likes of Tony Richardson, Ken Russell, Stanely Kubrick and Bill Douglas. This actor expressed a difficulty in negotiating the Crowdfunder website, though, and perhaps this is something Crowdfunder should take on board. Of course there were a number of pledges in the past week, which has meant the campaign is looking good – and a big, big thanks goes out to all the people who are respons...
2014 marks the 20th anniversary of Derek Jarman’s death. In my opinion, Jarman is one of the finest British film-makers ever; one of the finest film-makers full-stop – up there with Chaplin, Cocteau, Fellini, Keaton, Pasolini, Powell, Truffaut (you can fill in your own list). His work comes straight from his own life experiences, is filtered through the most amazing imagination and shot through with a real passion and desire to create and communicate and pass-on his world-vision. I have made radio and TV documentaries about a number of film-related subjects, so naturally I wanted to do something to commemorate and celebrate Derek Jarman the film-maker in time for 2014. I made a documentary on Jarman back in 2004 – Derek Jaraman: Life As Art. It was a conventional, linear, narrative-based p...
A true classic? I’d never actually seen it until the ripe old age of 21. That’s right, I’d avoided the actual film whilst shamelessly recreating the famous shower scene noise as an invisible knife was stabbed in the back of a friend (who hasn’t?!). I’d watched the endless countdowns like ‘the 100 scariest films’ and seen the infamous scene multiple times. I’d even answered pub questions on the ‘classic’ (wrongly I might add…but still) and yet never seen what is often argued as Hitchcock’s greatest. That recently all changed thanks to @skymovies and a ridiculously long Easter break provided by my uni. Even 53 years on (yes it really has been that long) you can understand why people love it so much and why they’ve made a film, on the making of the film [Hitchcock 2013]. Despite the shots bei...
In 12 Years A Slave, during the very first scene, watching the lashing of Solomon Northup (Chiwetel Ejiofor), brought flashbacks of the opening scenes from Saving Private Ryan. So brutal was it from the beginning, which clearly was an attempt to hit the viewer with a powerful punch to provoke Hollywood film grade entertainment. But did it work and was it necessary?